Film Photographer – Henri Cartier-Bresson

In this photograph, Henri Cartier-Bresson captures a man praying at the foot of a Buddha statue in Sri Lanka. The first thing that caught my eye was the feet. This observation was directly followed by the recognition that the feet are not attached to a living person. I find the proportion between the praying man and the statue fascinating. This image symbolizes the phrase “believing in something bigger than yourself.” The ideals behind religion are bigger than anyone can see, enhancing the importance of the beliefs. I enjoy how Henri framed this photograph, leaving out the main parts of the statue. The tall wall behind the man makes him seem even smaller. The way the light shines on the bottom of the stone feet makes the man appear to be glowing and illuminating them. The man’s white shirt also creates a contrast in the photograph, being the only truly white aspect in the image. All of these techniques bring the focus towards the praying man. The man’s intent focus on praying highlights the candid aspect of the photograph and highlights the genuine connection between the man and Buddha. This is relevant to modern-day digital photographers because it provides techniques that can enhance digital photography and shows the importance of framing and contrast, both of which are important aspects in all photography.

Cartier-Bresson, Henri. “Henri Cartier-Bresson: Man Praying at the Foot of Buddha, Sri Lanka (1949 / 1960s): Available for Sale.” Artsy, www.artsy.net/artwork/henri-cartier-bresson-man-praying-at-the-foot-of-buddha-sri-lanka.